I used actual leaves from the vine, Queen Anne’s Wreath, impressed into the wet clay to create the design on these tiles.  I also printed with some miscellaneous machine and fabric parts.  Neil Collins designed and created the metal base of this piece to be similar to “Where does all this time come from”.  The tile of that table is darker, and is cut in a more random way.  You could own both tables and they would be distinct,  unique and yet harmonious with one another, thereby avoiding the predictability that identical end tables usually have.